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jamTheJam, 21:59 Mon Oct 6th, 2008
From the blog "Crackwalker's soapbox : rants and opinionated..."
Crackwalker, 20:40 Mon Oct 6th, 2008
From the blog "The random mind-sewage of a wannabe."
Steven Menszer, 20:22 Mon Oct 6th, 2008
It all started about a year ago. I was hanging out with some friends at the comic shop. Chris was talking about something he saw on the Discovery Channel about a man who lived with bears and was later killed by...
It all started about a year ago. I was hanging out with some friends at the comic shop. Chris was talking about something he saw on the Discovery Channel about a man who lived with bears and was later killed by them. Here's the conversation that followed.
"Ironic," Gavin said, only to have me let him no that it wasn't really irony. We then took turns throwing out words that related to what the story was. "Poetic justice" I offered, where as someone else mentioned "Serendipitous".
Finally, from across the room, we heard Scott say, "Divine intervention?" to which, Gavin responded "GodBear?"
We spent some time laughing when I offered up the fact that it sounded like a heavy metal band. We pictured the image, a furry bear paw making the metal fist.
Sometime, somehow, later in the conversation, GodBear transformed into the bear version of Thor. And, that's how I came up with The Exceptionals--writing a world for an inside joke. Probably not the best way of creating a superhero franchise, but it seemed to work.
Anyway, I've spent every moment of my day since 10:50 am until I write this at 8:20 pm editing, rewriting, uploading, and just generally fighting with myself over this script. My brain is a little fried, so forgive me if I ramble or repeat myself.
I took out 300+ words with this one. I took out an entire issue or two worth of what I wanted to do. And, I took out one of my favorite scenes. All because there were some beats I needed to hit. The reason I'm telling you this is because I think it's an important lesson to learn, just because you love something in your story, doesn't mean it belongs there.
The scene I mentioned was with my probably obvious favorite character in the book, Doppler. Doppler is my favorite because he gives me an excuse to use dialogue, which is my specialty, without needed set-up for why the characters are together. Plus, being able to play with the diverse personalities in one body really gives me an easy out for comedy.
But, back to my point, the scene was with Doppler. The origin story of Doppler was originally told three times. First, Michael tells it completely flowery and peaceful, claiming he was in control. Then, upset by how much of a sissy Pete feels that Michael makes him seem like, Pete tells the story about how tough they were, claiming he was in control. Annoyed that they were bending the truth, Tom steps in and tells the story how you see it in the final script, only with different words since they have different mind sets.
The decision to take that out had its good and bad points. It was good to be able to expand on Michael and make him seem like less of a pretentious douchebag, but it also seems to take away from Tom. Tom is the level-headed one. Expect to see a lot more of him as the issues keep going.
I feel there was more I wanted to touch on, but I can't remember what it was. Also, I don't want to pass out from exhaustion and hunger.
I need chinese food.
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Aein Silverwolf, 20:10 Mon Oct 6th, 2008
1. Beast's Transformation.
Although this X-Men's new appearance looks 50 times (at least) more badass than his human form, there are two things that bother me about it: the hair and the fur. I can just hear the conversation:
Person 1: Wolverine and Nightcrawler are our most popular characters. Instead of making them more prominent in the comics, let's make another character look like a mix between the two!
Person 2: Of course! Hey, why not Beast? He's not very beast-like right now. Apart from, of course, his large feet. And you know what they say--
*Person 3 kicks Person 2 out of a window*
Person 3: So it's agreed then? Right. Time to draw Beast as a mix of the two aforementioned X-Men.
2. DC Vs. Marvel (Vs. Batman)
Okay, both companies have their good and bad comics, but I like Marvel better. Why? Because Superman is a dick. www.superdickery.com
In all seriousness, Marvel's characters have real-life issues and personal conflicts on top of their superhero lives, which is cool. Sure, DC has this too, but to a lesser extent. Sure, as Clark Kent, Superman goes through the motions of everyday life, often with funny results, but speaking as someone who isn't a reporter with two potential wives, no geeky friends, and no superpowers, I can't really relate. Spiderman has to go to school. School SUCKS.
So what have we learned? Schoolchildren don't know what they're talking about, because they lack real-life experience.
Except that Batman is the exception to the DC rule.
Oh, and anything by Alan Moore wins too.
3. Anatomy
Dear Anatomy:
Screw you! Why must you spend your everyday ruining my life? Not only is there a separate set of rules for the anatomy of superheroes, but there are about fifty extra muscles in every character! WHAT THE HELL? Could you not just go easy on me for like, ONE PANEL? Aw, screw comic art. I'll con a real artist into drawing my stuff.
Sincerely,
Me
4. Cosplaying
Dear Cosplaying:
STOP COSTING SO MUCH TIME AND MONEY.
Thank you.
Sincerely,
Me
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From the blog "i need, need, need more."
Juiceboy, 19:52 Mon Oct 6th, 2008
Right now I only have a synopsis up. I'm reaching into the depths of all my Star Wars, Star Trek, Space Channel and anything else SciFi I have ever watched to pull this off so yes, at first it will be rough.
Here's the idea if you think about an Egg, throw a rock at it and it would explode, now compare this to all those disaster movies we have seen of asteroids hitting the Earth. Yup it would hurt and yup it could probably blow us all into the next eternity. But then what if you cut the egg with a very precise laser? Or if you cut it from the inside-out? And therein lies the idea for Worlds Asunder.
The Earth has been carved into different islands but their orbit is still maintained by old core of the Earth (think about that Voyager episode where they encountered the planet made of water). The image popped into my head while on the plane, a swirling ball of Lava surrounded by three floating rocks formerly pieces of the Earth. I just couldn't shake the image and knew I had to write about it.
And do the inhabitants of these mini-worlds want to put the planet back to together? Why of course, but all 3 pieces need to go back together (not just 2 of 3) because this might cause some inbalance in it's orbit, etc and all 3 would perish.
I know there are many possibilities and I think I need to bone up on some of my space knowledge to make things coherent but I think it will be an interesting ride if it's your thing.
TO INFINITY AND BEYOND!!!!!
Alma:JtE as evidence of Climate Change
jthesquid, 19:30 Mon Oct 6th, 2008
artwork, Climate Change, Alma: Jumbo the Elephant Chapter One,
open for debate.
From the blog "Thoughts From A Blond"
jmcleod, 19:05 Mon Oct 6th, 2008
copied from the website-
Ink: Alter Egos...
This might not be new to you guys, but it's new to me! This heads up is courtesy of UnPeppermintPatty, I don't get the IFC.
copied from the website-
Ink: Alter Egos Exposed
Monday at 7am, 11am & 8pm ET
This highly stylized IFC original documentary series explores comic book culture, the creators of comics and comic trends. Each episode series is narrated by Hugh Dillon ("Durham County") and explores a theme, such as heroes within comics and social relevance of comics. Ink: Alter Egos Exposed is mandatory viewing for both the novice and the serious comic book reader.
From the blog "Writing is my life. I will write for food or..."
genrewriter, 18:51 Mon Oct 6th, 2008
Keep 'em coming :)
Keep 'em coming :)
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Alma: The Griffin Part One, part one!
From the blog "Here is where I say things into the internets."
WillGibson, 17:02 Mon Oct 6th, 2008
Pirates!, The Griffin, Alma: Jumbo the Elephant Chapter One,
ALMA: The Griffin Part One, Part One
PAGE 1
17th
century map of the great lakes and upper Canada [as it would eventually be
known].
CAP [as journal entry]: Luc, Pilot in command of schooner Griffin,
Having departed from Potawatomis the morning of Tuesday, and entering a fog thicke as pitch the evening last, as we have been asea for two days I have not a sign of where we might be headed. I am to direct our cargo south to the Niagaras, and yet the direction has eluded me. The fog remains through the night unto morn, and hangs about us still. We hear the drumming off the starboard bow again, and the Jesuits have taken to prayer. The men, reliable as one must demand, becoming unhinged at the manic droning beat, have taken to drink. Would that I could join them~
Above I hear a clamor, and I am away to investigate--
PAGE 2
A haggard sailor in 17th
century attire stares off the bow of the ship. In the distance is a deathly
thick fog, and deep within it appears to be a glowing sphere containing three
burning globes arranged in a triangle.
HEADER: SSEP & Z2H Present ALMA: The Griffin Part One
CAP 1: 21 September, 1679
CAP 2 [as journal entry]: I see it! Even now. Off the prow, in the thickening mist, ever closer! The eye! The three-lobed burning eye!
PAGE 3
Panel 1
Looking at the front
of the Griffin, a small-to-mid-sized
schooner, listing violently to its starboard as a wave crashes into its port
side.
Panel 2
The ship rocks
violently and the sailor struggles to hold on to the mast. His eyes are wide
with terror.
Panel 3
Behind the sailor, a
huge head appears to just be cresting the side of the ship, water still rolling
off of it.
PAGE 4
Panel 1
Mallory holds his hand
up. He looks incredulous. He is seated in a tavern.
MALLORY: A moment, sir. What, if I may ask again, is the source of this tale?
Panel 2
A bald, grizzled man
sporting an eye patch [how piratey!] stares Mallory down.
MAN: The journal, man. The pilot's logs.
Panel 3
Two-shot. The man
holds a tattered journal up to Mallory, offering it to him across the table. A
lead stein sits in front of him.
CAP: 6 October, 1885
MAN: Great with French I'm not, but I can read a good amount.
Panel 4
Mallory examines the
weathered artifact.
MALLORY: Then you've a leg up on me, I'm afraid.
Panel 5
Mallory looks up at
the Man.
MALLORY: I'd appreciate it greatly if you would continue.
From the blog "Time & Some Words"
Tyler David Coltraine, 16:27 Mon Oct 6th, 2008
The pitch is back up and public, with 21 pages of script (I miscounted initially). I added comments with a few notes here and there, and I should have storyboards in later when time allows me to...
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From the blog "Time & Some Words"
Tyler David Coltraine, 14:20 Mon Oct 6th, 2008
Parmesian...
Parmesian fries for everyone!
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From the blog "Crackwalker's soapbox : rants and opinionated..."
Crackwalker, 13:50 Mon Oct 6th, 2008
Monday is here again! Time for another update of ...

Monday is here again! Time for another update of Hero High: Origins! This episode sees Hellion lose her temper. (Note the kirby dots in the eyes - a sure sign of a flaring temper of massive proportions)
