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Having Rip Current come out, and all that entails, has turned this last week - supposedly my vacation - into a rather hectic combination of writing, building, panicking, and the nights, well, my dreams are all the same stuff I've been dealing with...
Having Rip Current come out, and all that entails, has turned this last week - supposedly my vacation - into a rather hectic combination of writing, building, panicking, and the nights, well, my dreams are all the same stuff I've been dealing with during the day, only weirder. Which I don't even think is a word, and looks strange regardless.

Besides the behind the scenes stuff, I have managed to build a Facebook page for Rip Current. I don't spend a great deal of time on Facebook, but it does strike me as an easy way to let my friends know that I'm a fan of Rip Current. For any of you so inspired, I'd be happy to have a few more fans. Like more than two. With me being one of them.

Things still to do: create a fan art gallery - should be able to do this very soon, and also, to post the first mini-chapter - which I promised to do on Saturday (tomorrow for me). Stay tuned!

Also, thanks to everyone who has stopped by to take a look at Rip Current!! I appreciate it!

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Hi all,

I'm hoping to get a group of people together to chat about comics-making, in person, here in Montreal.  Two years ago I tried to start up Comics Concordia, which was going to get funding from the Fine Arts Student Association at...
Hi all,

I'm hoping to get a group of people together to chat about comics-making, in person, here in Montreal.  Two years ago I tried to start up Comics Concordia, which was going to get funding from the Fine Arts Student Association at Concordia . . . now I'm a grad student so I can't easily get funding but I *can* get space on campus.  So if people want to get together to discuss comics, set up collaborations, maybe get a critique group going . . . it would be a nice in-person addition to this site.  If you're interested, send me a private message with your contact info and we'll talk.


Thanks,

Rich

Top Rated Comment of 1

Fetternity

Fri Aug 29th, 2008 20:15

Hey, I'm all for that!
And with Mr. Irony in Tokyo, I'm the only Montreal-based CCN winner on hand... Damn you Tom!!!!!

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...

Welcome to my quasi-full-disclosure-slash-history lesson. This weeks topic: Alma, Jumbo the Elephant Chapter One. I'm going to go through the comic on a page-by-page basis, breaking it down as if it were annotated. Consider these footnotes, if you will. I'll not fully explain all the intricacies of everything, but I'll try to provide a spicy bit of insight as well as direct you towards some interesting places to go. Oh, and before you start... this is pretty long.


The Cover:


This was always, from the outset, meant to emulate a classical Ringling Bros and Barnum & Bailey show poster, with its unique style and vibe, if you will. Santiago went full-on into it though, creating a wonderful bit of art in its own right. I was going to keep the original image secret, but I think seeing it will make you appreciate what he did do all the more:

For the record, I fully intend to do this for each and every issue, create a different, unique poster-style cover. That would truly rock the socks.


Page One


Henry: This would be Henry Sidgwick, Professor of Moral Philosophy at Cambridge University, and co-founder of The Society for Psychical Research in 18825.

The Séance: The girls will be more fully and properly introduced in Chapter Two, but in the interests of the curious they are, clockwise from Mallory are: Elizabeth Marsh1, Angela2, Hannah & Emma, Student X3, and Theress.



1] Elizabeth Marsh, daughter of Captain Obed Marsh of Innsmouth, Massachusetts.  For further information, see The Shadow over Innsmouth, by H. P. Lovecraft [available online].


She's an extrapolation, not an actual character present in Lovecraft's story. But she is inextricably linked to it, and this link may play a very large roll in the future.


2] Adelgunda "Angela" von Pahlen, born in Germany in 1869. She was recently relocated to Alma College after the unfortunate deaths of her immediate family.


She is a character originally created [one must assume] by E. T. A. Hoffmann, the original author of "The Nutcracker and the Mouse King," which, obviously enough, The Nutcracker was based on. She appears in the first half of a fairly obtuse little story called "Automata," [available online]. I'd come across a collection of Hoffmann stories quite accidentally some time before getting down to writing Alma properly. Obviously, being set in a girl's school would require female students, and I knew some of them would have supernatural abilities in some form or another. I also knew one of them [the main one] would be named Angela4. Reading about a girl who would be exactly the right age who had a unique power that would be perfectly fitting, AND who had a name that I could see being debatably Anglicized into being Angela, well, it was all too perfect to pass up. Her backstory will be more full outlined in future stories, but for the extremely curious, if you want to track down "Automata" you can see how it'll look in advance.


3] Student X: I really have no idea who this girl is. When looking at the pencils Miguel submitted, I realized that, quite magically, there was an extra girl at the table that's not present in the script anywhere. Rather than get him to change or redo the page, I'm just gonna hafta write her in somewhere later!


4] Alma College, according to many student reports, was haunted by at least one ghost. The most famous was known as Angela, and she inhabited the southern tower, although according to records there's no student or teacher that would have been there at appropriate times [stories varied about her being younger or older]. Still, Angela the ghost was a character around the campus from even the earliest days.


Page Two


Ectoplasm, check it out:

http://www.youtube.com/watch?v=W0HncGNBCqY


Page Four


September 15th, 1885 was, indeed, the day of Jumbo's death in St. Thomas, Ontario, Canada, a town I'm going to be visiting tomorrow.


Page Nine


5] The Society for Psychical Research is quite real, and still fully operational. Visit their website here: http://www.spr.ac.uk/expcms/


Chief James Fewings was a real and respected officer in St. Thomas, and Chief of Police since 1872.


Page Ten


Jumbo the Elephant. What can I say that isn't just as easily [and more believably] covered on his Wikipedia page: http://en.wikipedia.org/wiki/Jumbo Well, this might: http://www.scrapalbum.com/jumbo.htm


Mathew Scott, Jumbo's devoted keeper, who was there with him when he died.


Page Eleven


James L. Hutchinson, the other man in business with Barnum [and Bailey] at the time. He was running the business operation in St. Thomas at the time of Jumbo's death, and I'm sure that's why he may have seemed abrasive to Mr. Mallory.


Page Thirteen


Again, I knew Mallory needed to talk to someone from the circus to get info. And I knew I wanted to pop more subtle Lovecraft references in there. And I also happened to be rereading one of my collections of lesser-known Lovecraft stories, and here I read the tale of a man and the bizarre history of his family [that may or may not involve ape interbreeding]. There, in the middle of "Facts Concerning the Late Arthur Jermyn and His Family" [available online] is a reference to Arthur's father, who, according to the timeline, would have indeed been working in a circus as exactly the same time as my story [give or take.] This, too, was too serendipitous to ignore. Read the story if you want to, although it does give away the fate of Mr. Jermyn.


Regarding Jermyn's assurance of Barnum's presence, it is on record that Barnum was nowhere near St. Thomas at the time. Or... was he?


Page Fourteen


Sir Wade is a fortunate side effect of including Jermyn. In the Lovecraft story, he is the trainer of an ape "of lighter colour than the average," so I got an excuse to include a cool albino ape. His name is derived from Jermyn's grandfather or great grandfather [I forget which], mentioned elsewhere in the tale.


Page Eighteen


Quite unrelated to the story "Automata" is the inclusion of an automaton here. I mean, yes that story does include one [eventually],  but this one's here because I was reading a separate book about 2 or so years ago outlining the history of these things. It's really quite fascinating. And creepy. Mostly the robot duck. Look it up.


Page Nineteen


Referred to in the script as the Giantess and the Tiny Man, Barnum's thugs here are pretty clearly based on General Tom Thumb and Anna Swan, although, to be fair, General Thumb was dead by this point, and by all accounts Ms. Swan was a lovely woman. Oh, and my man here is German, somewhat inexplicably.


Page Twenty


Regarding "Half-past eight tomorrow evening," those who have read "Automata" will understand. Or those who read Alma: Last Stop on the Line, where Angela's story will be outlined properly.


Page Twenty One


The church Mallory is visiting is the Old English Church, located on Walnut Street in St. Thomas. It really is a fascinating place, and old! It's so old it was CLOSED for a few years before my comic even takes place, and it's still there today.



Page Twenty Two


Which, unfortunately, can't be said for the showcase of this page. Alma College was a truly awesome building, which, sadly, burned down a few months ago. I would have loved to direct people on a pilgrimage there, but sadly, it is no more. The Amphitheatre, however, is still present, so there's that, at least. I attended Jr. Kindergarten there, so I can claim to have been a student, even though it was an all-girls school. It was located at 96 Moore Street, St. Thomas, Ontario.

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Hey everyone,

I'd like to write a bit about Ed Brisson, the wonderful letterer for Lotus. You can check out his blog and portfolio here. Ed has actually worked on Abigail?s War,...
Hey everyone,

I'd like to write a bit about Ed Brisson, the wonderful letterer for Lotus. You can check out his blog and portfolio here. Ed has actually worked on Abigail?s War, Alma, Black Jack O?Breen, Blake Undying, The Brothers McElroy, Deutschmaschine, Hero High, Lotus, Mind Crimes, Minus One, Rip Current, Slaughter Inc and Supremacy: Dawn of Heroes.

Anyways, the story with Ed was a bit different than most. As some of you know, Lotus was the experimental project put together by Z2H a couple of years ago to test the process. At the time, the lettering was actually going to be done by the editor Julian Lawrence. I thought Julian did a great job and we had a finished book within a few months. When the CCN winners were announced and I found out Lotus would be published with the other books, I guess Ed had already been on board with some of the others.


He came in and made quite a big difference. Julian's letters were great, and for me as a first time comic writer, it was a amazing, but when Ed came on board he actually made Lotus better.


He paid really close attention to the details of how each character was speaking. He looked at the story as a whole and not just the panel and was able to visually define voice. Not to take anything away from the initial work done by Julian, but Ed really did make the voices of Lotus what you see.

Top Rated Comment of 1

Lotus

Fri Aug 29th, 2008 15:43

To all of the comic writers:

BTW - The blog will only let me tag a post three times, so to keep everything fair I didn't tag it with any other books. Could you please post a comment with a...

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Hey Crackwalker!  Loved this story!  The art work is good and reflects Saturday morning animation well!  I instantly liked Moondog and the few other characters introduced in this issue.  I am intrigued to find out why there are...
Hey Crackwalker!  Loved this story!  The art work is good and reflects Saturday morning animation well!  I instantly liked Moondog and the few other characters introduced in this issue.  I am intrigued to find out why there are so many supers in such a small town.  Or is that just a given?

Oh, I dig the designs and the action sequences.  The action seemed to flow well and were full of energy.  Loved the battle sequence between Viper and Moondog.  Classic supers doing battle before they even really get to know each other.

Just curious, how did Farley choose the name Moondog?  Does it have significance to him?  Or is just something that he chose at random?

I do want to thank you for making a GREAT all age comic.  So much of the stuff that's done now days excludes kids.  I feel safe reading this with my 9 and 11 year old.  

Soooooooooooooo when does #2 come out????  Are you hoping to one day release this in hard copy form (like common paper comic books?).  Sure would be nice to be able to have it in that form (and I think it really deserves to).  I'd buy it!

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As a special treat for longtime fans, here's a never before seen look at the very first sketch ever made of Blake Undying, so far back in fact that I didn't have a title for it as yet!

In November of 2006, I shared my idea...
As a special treat for longtime fans, here's a never before seen look at the very first sketch ever made of Blake Undying, so far back in fact that I didn't have a title for it as yet!

In November of 2006, I shared my idea for Blake Undying with a friend of mine, Gary Slotnikov. At that time I was considering launching it as a webcomic, with two or three updates a week. Gary sketched out some roughs for the look of the comic, but eventually decided that after going through the grind of his own webcomic "Spoonman" for four years, that he didn't really want to throw himself back into it.

At that time I hadn't settled on a title, and I was going through a number of puns on the work "Bleak". As a placeholder, Gary wrote in "Blake Life" in the title panel.



As you can see the original scene came to me fully formed, remaining unchanged through all iterations of the script right through to the present day.



For more interesting original sketches, check out the Blake Undying Fan page on Facebook!

Top Rated Comment of 6

Crackwalker

Fri Aug 29th, 2008 14:03

Wow - thanks for sharing these - they're amazing!

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Many many years ago, before I fell in love with trying to write for TV, I was a comic kid.  I would devour graphic novels and single issues with a ferocity that bordered on lunacy.  

For hours I would lie in...
Many many years ago, before I fell in love with trying to write for TV, I was a comic kid.  I would devour graphic novels and single issues with a ferocity that bordered on lunacy.  

For hours I would lie in bed, enthralled as Weapon X clawed his way free from his watery prison, as Superman made that final, desperate sacrifice, as Dream faced down Lucifer himself for the love of his life.

The mere pittance I was paid for my paper route at the time could never support my habit and so I spent many great years hanging out at my local comic shop and just... reading.

As I grew up and figured out what I want to do with my life - I'm a TV writer in my soul, I know that now - I always held a special place in my heart for the comics that set my young imagination ablaze and soaring into the night.

You know, now that I think about it, it's funny how similar Television and Comics are - I mean, once you get past that whole 'moving pictures' thing: the potential for epic, engrossing story lines, the complex characters that grow over time, the soul-crushing wait for the next chapter/episode... 

And yet that challenge to convey emotion and intrigue without sound or motion, to imply these effects and form a direct connection with another imagination is one that I can't help but find thrilling.  It stirs something inside me, something dormant for far too long.

When I found out about this site (thanks Jennica!) my heart skipped a beat.  There are stories that I've wanted to tell - fantastical stories that no television producer would touch - and that's the freedom that I believe Comics can offer.  Combining that with the potential that this site offers - the sheer concentration of creative minds and enthusiasm - well, I have to say that I'm hooked. 

I hope that you will come along with me and Samuel as we explore the world of Shaderin and the dark secrets hidden within, with any luck we'll scare ourselves silly in the process.

Cheers,
Brandon

Top Rated Comment of 2

Jessica

Fri Aug 29th, 2008 15:05

Welcome! Can't wait to read your story pitches...

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Niiiiiiiice!! I loved it!

*showers LOVE everywhere*

MORE!!
Niiiiiiiice!! I loved it!

*showers LOVE everywhere*

MORE!!

Top Rated Comment of 1

Fetternity

Fri Aug 29th, 2008 16:47

My dear friend, here's where your desire sparks my questions:

WHAT do you want to see? More comics? More Deutschmaschine? More cool art? More writing?

Give us a spoonful of where you'd...

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I watched the DNC last night. It was quite inspiring. I wanted to campaign for Barack Obama. It almost made me wish I was living in the USA. But then I woke up the next day and remembered why I'm glad I'm not.

...

I watched the DNC last night. It was quite inspiring. I wanted to campaign for Barack Obama. It almost made me wish I was living in the USA. But then I woke up the next day and remembered why I'm glad I'm not.



'Aint that just nasty? There's no rational logic there - they're just trying to make a word association. 'Coincidence?' well what else could it be? Are they suggesting that Obama and Biden are clones made from the beard hairs of terrorists? Do they know how crazy it sounds? Sad thing is these tactics have worked just fine for George Dubba Yew.

Anyways - UT3 has been announced in the Groups Section, but for those of you with special dice penalties in the Groups Navigation Skill I am posting the deets here:

Unofficial Thinkup 3: Make a new pitch with these ingredients!

Your Title Here (UT3)

You pitches should include:

- a supernatural monster
- a social issue
- a theme song

Deadline September 15th

When they're done, we'll start an in-depth critique on the mssg boards. It's not too late to join in. Just sign up in the Groups section, or if you're having trouble with that, you can message me.

Top Rated Comment of 9

WillGibson

Fri Aug 29th, 2008 09:34

What was the definition of UT2? This seems like what I wrote for that would count for this as well. Double-dip!!


And no, it's not a coincidence. It's a demonstration of impressive idiocy.

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Okay, everybody, it's back to school soon, so what better for your first course than a little Minus One action.  The topic today is art, as in the artwork for the comicbook Minus...
Okay, everybody, it's back to school soon, so what better for your first course than a little Minus One action.  The topic today is art, as in the artwork for the comicbook Minus One.
Ronn Sutton is the pencil artist and Ian Sokoliwski handled the inks and the colors.  When I first started talking to Josh Aitken, my editor, and described the feel I wanted for the book he recommended some artists for me to look at.  I checked out several but soon realized that Ronn and Ian were perfect for the book.  I wanted Minus One to look and feel like a silver age comic and I think the art team really delivered on that score.
From the great sand monster, to the faces of the children no detail was too great or too small for their talented hands and eyes.
My gratitude to these fine gentlemen, and a tip of the cap to all star letterer Ed Brisson who handled the lettering with ease making me look smarter than I am, and without cluttering up any more of the artwork than I made necessary.
Next time you are having a look at the book, take a few moments on each page to peel back the words and just savor the art.  You will be glad you did!
Your homework is to read the story, savor the art and rate and fan the book if you liked it!
Until next time.

Top Rated Comment of 4

genrewriter

Fri Aug 29th, 2008 05:09

You selected well, TK. Ron and Ian did a spectacular job delivering that silver age comic feel you were going for.

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Thanks so much to Final Chad for submitting the first (of I hope many) piece of fan art for Lotus!

Check out the ...
Thanks so much to Final Chad for submitting the first (of I hope many) piece of fan art for Lotus!

Check out the gallery or if you are seeing this on the Lotus page, it should be right over there on the left.

Later

Lotus

Top Rated Comment of 1

chopstick

Fri Aug 29th, 2008 15:06

Very cool. When can we see more?