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All Posts tagged with 'Minus One Fan Fiction (Property)'

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Here we go... !

Page 19
Eight panels

Panel 1

The Indigo Queen clutches at her throat with both hands, her eyes wide cerulean horror, her pupils tiny specks of desperation.

Lady in Waiting: (off panel)...
Here we go... !

Page 19
Eight panels

Panel 1

The Indigo Queen clutches at her throat with both hands, her eyes wide cerulean horror, her pupils tiny specks of desperation.

Lady in Waiting: (off panel) Queen?

Panel 2

Wider angle, the Queen's rooms. The Lady reaches out to assist, unable to fully contain her disgust as the Queen doubles over, spewing dark greenish blood and a spray of shimmering sapphire crystal shards down the length of her silken skirts and onto the pale turquoise marble tiles.

Lady: The betrayal is complete!

Panel 3

The queen falls forward onto her knees, oblivious to the blood soaking her skirts and pulling them down into a sticky mass on the floor. Instead, she reaches for the bright sapphire shards settled in her gore.

Queen Sharra: My people! Help me save them!

Panel 4

Very close. The pointed tip of a luxe woman's shoe, peaking out from clean, pale blue skirts, crushes a shard into dust.

Panel 5

Very close. Tumax?s head tips back, his dark blue eyes blank and frozen as his last breath slips out in a wisp.

Panel 6

Very, very close. A child's eye, also wide and blank, the flat line from an ICU monitor reflected in his blue speckled iris.

Panel 7

The Lady gingerly lifts her pale blue skirts, her pointed shoe still poised in the shard's dust. The Queen looks helplessly up at her trusted companion, handfuls of shards cutting into her fists.

Lady: They are lost, Queen. As are you.

Queen Sharra: No!

Panel 8

Wider. In the background, the Lady leaves, her back to her Queen, leaving a trail of crushed shards as she walks. In the foreground, the Queen sits back on her heels, her hands open, bleeding from many thin cuts, tears streaming down her face. In one hand, amongst the sapphire shards, sits a single, perfectly round ruby crystal.

Lady: Sir Davion awaits.

Queen Sharra: Wha - ? What's this?

Top Rated Comment of 5

WillGibson

Mon Nov 9th, 2009 15:27

Start drafting 22 artists.... right now.

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First I'd like to apologize to TK for the wait. I had sent him a PM asking for help with the page, I really struggled with this one, only to discover recently that the PM never made it through. Anyway here it is, the long overdue MOFF Page 18. So...
First I'd like to apologize to TK for the wait. I had sent him a PM asking for help with the page, I really struggled with this one, only to discover recently that the PM never made it through. Anyway here it is, the long overdue MOFF Page 18. So now there's 4 pages left. Nearly there folks, oh so very close! 


I setteled for focusing on Ikaros in this page for a simple reason. He's the main antagonist!  Page 4 and 7 and since then we haven't heard boo from the guy. Since we are coming up on the last 4 pages I thought it would be good to bring him into the main picture to help to set the seen for the end.


On that note, something for the 4 writers left to consider. The negative effects of the heroes powers. This was shown very briefly when Gustav coughed up blood early on in the story but so far this hasn't seemed to be going on with any of the other characters. Just bringing that up. ;)


And so with out further delay, Page 18...


6 Panels                   

Panel 1: Medium close up. The blurred form of Honson supporting the Verdant King/Boy, who is slowly rising to his feat, is seen through the dim light emanating from the blue sapphire.

Ikaros:  My dear Verdant king. Your departure has offered a new possibility.

 

Panel 2: Side view of Ikaros, his hands touching the sides of the sapphire as he stares into it.

Ikaros: The crystals' power will not merge these two planes but rather, their destruction will.

Panel 3: In the crystal, Davion is seen striding towards the Verdant castle in the distance. Around and behind him are the bloody, charred corpses of both verdant and indigo soldiers.

Ikaros:  No more need for secrecy, the path is clear and all the pawns have fulfilled their roles.

 

Panel 4: Close up of Ikaros' hand. From his fingers, light pinkish, crimson crack lines form up the giant sapphire, spreading around it from every side.

 

Panel 5: Wide view of the chamber. Ikaros? form is a semi faded after image, as he teleports from the massive room. Behind his partial faded form, the sapphire begins to crumble. Small chips of it can be seen falling to the floor. The cracked lines are radiating an inner light from within the stone.

Panel 6: A scene of the giant sapphire exploding in brilliant white and blue light. In the growing explosion the chamber is shown being blow apart by the sudden release of energy from the stone. Although Ikraos has left, his words are echoed as the room is destroyed.

Cap: I'll not been confined to this world any longer.



Top Rated Comment of 3

Autolycan

Wed Oct 14th, 2009 20:06

OMG! It's the end of the world! RUN RUN!




I will read it after work. Imma mah break!

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Alright... assuming there are no other "hidden" pages out there... after a long, long wait... and after a final false start... finally I have delivered my MOFF entry.  I know it is busy, but that is life.  Enjoy.
Panel 1...
Alright... assuming there are no other "hidden" pages out there... after a long, long wait... and after a final false start... finally I have delivered my MOFF entry.  I know it is busy, but that is life.  Enjoy.

Panel 1 is the full-horizontal width of the page, not very tall.  Panels 2 - 4 on the next row, followed by Panels 5 - 6 are on the next row followed by panels 7 - 8 on the next row.


Panel 1: On the left-side of the panel, we see the boy's head thrust backwards, his eyes wide open as he stares up at the sky, his eyes aglow.  On  the right-side of the panel we see King Killian's head ripped back in the same motion, his deep-set eyes glowing red.  Between the two, crackling bits of energy show that their souls are being transferred from one plane of existence to the other.  

Panel 2: Back to the Hospital, doctors and nurses are trying to force the now manic boy onto his gurney whilst applying restraints.  The boy (now Killian) is thrashing and screaming wildly.

Doctor: Hold him down!  Get 20CCs of Morpheine.  Call a CODE!

Boy/Killian: Let me go!  I... will... not be bound!  

Panel 3: Focus in on Boy/Killian's forearm, we see a strap being applied by one pair of hands and another trying about to prick his skin with a needle.

Nurse (off-panel): Hold him still.

Panel 4: Same panel as before only now the the tip of the needle has snapped from the nurse trying to give it to Boy/Killian.  Killian's physical characteristics have transferred over as well.

Nurse (off-panel): What the...

Panel 5: Pull-back to show Boy/Killian knocking down the doctors and nurses and ripping his restraints from his arms.

Boy/Killian: THIS IS NOT MY WORLD!!!!

Panel 6: Focus on a now crouched over Boy/Killian now keeled over, his eyes glowing a red hue.  We can see that he is being piled on by orderlies trying to restrain him.  There are no borders along this panel, only pale black fading around the sides as Killian loses consciousness.

Boy/Killian (whispering to himself): Not... my... world...

Panel 7: Back to Killian's castle.  Honson is holding a now lifeless Killian in his lap.  Honson is no longer transparent.  He looks down at Killian sadly.  The borders around this panel are black and have faded in from the Panel 6.

Panel 8: Focus in on Killian's face, his eyes are wide-open, human bright-blue eyes.  

Killian/Boy: Davion.

Top Rated Comment of 10

Tenzil Kem

Thu Jun 18th, 2009 23:22

Now THAT was worth the wait!  Well done, Juiceboy, you've certainly raised the stakes!
Now run over next door and tell that MightyGeko that Stan and his deal will...

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So... word on the street is that I am up for MOFF... ummmm... Would you believe my Bad?
So here is my long awaited MOFF page (apologies for the delays and I hope it makes sense to the story - I've now read over a few times)... TK add in when...
So... word on the street is that I am up for MOFF... ummmm... Would you believe my Bad?
So here is my long awaited MOFF page (apologies for the delays and I hope it makes sense to the story - I've now read over a few times)... TK add in when you feel it is appropriate.

Six Panels: Panel 1 and 2 on the same row, panel 1 is the larger.  Panel 3 and 4 on the middle row of equal size.  On the bottom row, Panels 5 and 6, Panel 6 being the larger panel.

Panel 1: In the foreground we see King Killian, slumped in his chair, his left hand holding up his head as he looks downwards, worn from the battle he has fought and now sees slipping through his hands.  In the background we see Honson, fully emerged from the floor but still translucent.

Panel 2: Pull back to show the Emerald, Honson now standing to the left of it, King Killian seen between the two. Honson's translucent body basked in the emerald green light.

Panel 3: In the background we see Killian, he has not moved from his position, in the foreground we see Honson who looks quite surprised by his being discovered.

King Killian: Do you take me for a simple-minded peasant Honson?  I sensed your presence outside the castle walls, not too mention you walk with the heft of ten wolfgatens.

Honson: I was never able to hide from you.  What other powers does the King now possess?

Panel 4: King Killian is standing up and moving towards Honson, he is recognizably weakened from the battle that is going on around him to the extent that he is having trouble breathing.

King Killian: Harumph... my powers... my powers are nothing, look at what I have become, confined to a room, a prisoner in my own kingdom... This... you... this is Davion's doing is it not?

Honson: Yes, he...

King Killian: He's a fool, one I should have killed when I had the chance.  He thinks the Emerald will give him everlasting power and life, but he is wrong.  It is over.

Panel 5: King Killian is staring at the Emerald as he sees the reflection of Gustav and his dead soldiers.  Honson's solidified hand rests on Killian's shoulder.

Honson (off-Panel): You can end this old friend, stop the bloodshed, end the madness.

Killian (whispering): Stop the madness.

Panel 6: Killian is standing up straight in front of Honson, he is a little shorter then him.  He no longer looks like the evil king he once did, but rather a frail old man.

Killian: Take me to Davion, leave the Emerald, I no longer need it.

Top Rated Comment of 5

Autolycan

Tue Jun 16th, 2009 20:28

Bursting from the still corpse of MOFF, the Phoenix emerges and cries a powerful page.

Good job, JB. It was worth the wait. Now, who's next?

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Hi everyone!

I'm baaaaaaack and here is my contribution to MOFF.  Let me know what you think! :)

MOFF - page 16:

...
Hi everyone!

I'm baaaaaaack and here is my contribution to MOFF.  Let me know what you think! :)

MOFF - page 16:

Six panels: the top third of the page is a single widescreen panel; the middle third is divided into three panels; and the bottom third is divided into a small square panel at the left and a wider rectangular panel at the right.

 

Panel one:  King Killian is standing, still clutching his emerald while Honson is standing behind King Killian, taking a step toward him.  Honson is half-faded so that we can see where he is in the image, yet know he is still invisible.  He has a surprised expression on his face.  

 

                                   KING KILLIAN

            Did you really think I wouldn?t sense your presence?

 

Panel two:  King Killian is looking behind him in the direction where Honson was standing in the previous panel.  However, Honson is now standing on the opposite side of King Killian, getting closer to the emerald.

 

                                   KING KILLIAN

            No need to hide, I know you?re here.

 

Panel three:  Close up of Honson?s half-faded hand grabing the emerald from King Killian.

 

Panel four:  Honson (still half-faded) and King Killian are both depicted falling back in mid-air.  Honson is holding the emerald away from his body as King Killian springs in the direction of the stone, trying to grab it.  The emerald is dangerously close to hitting the stone wall.

 

Panel five: Close up of the half-faded hand holding the emerald as the tip hits the stone wall and shatters.  Only the tip is shattered and the rest of the stone is whole.

 

                                   KING KILLIAN (OP)

            Nooooooo!!!

 

Panel six: Perspective view showing the row of hospital beds extending to infinity.  All the kids are laying down except for one who is sitting in his bed.  He is drawn with motion lines to emphasize the idea that he just suddenly sat up. 

 

                                   SOUND F/X (from the kid)

            Gasp!

Top Rated Comment of 16

Ivy Crow

Thu Apr 9th, 2009 23:02

@ jmcleod: LOL!!!! So true, it's like, totally awesome!! :P

@ TK: The pleasure was all mine!! Sorry once again for the long wait!

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...

This is my contribution to MOFF. I had a surprise root canal today, so I am not feeling too chatty :0)!

I will be interested to hear what folks have to say about an artist writing a page without dialogue, though.

Back soon.

Page 15

 7 Panels: three panels along the top, a page wide panel in the middle, and three panels along the bottom.

 Panel 1 is tinted the same red as the eye as Adam?s eyes. SCU of Ikaros? matte black eye with a slit pupil.

 Panel 2 is a med CU of Gustav?s knife (recognizable from the previous exchange with Mylestra) deep in his own ribs.

 Panel 3 is a med shot of Tumax drawing the knife, cradling his friend, his face contorted with rage.

 Panel 4 is a long shot. Tumax is is the FG on the left hand side, Gustav?s knife is his hand. Leading from left to right is a row of Verdant soldiers falling in succession, the furthest right almost hitting the ground. They are all blood is gouting from their throats.

 Panel 5 is a med CU of Lord Davion, smiling smugly.He looks somewhat battle weary and is covered in gore.

 Panel 6 is a med long shot of King Killian slumped in front of the emerald from behind. His posture is one of defeat.

 Panel 7 is closer in over Killian?s shoulder. We can see Honson emerging from the floor.

 

Top Rated Comment of 11

Autolycan

Fri Feb 13th, 2009 21:03

Nice. It's very montage-y and moves the story forward as it was getting stuck, hence my killing of Gustav. We so few pages left the next writer will surely start the conclusion of MOFF and make it...